The Los Angeles Film Critics Association Awards split the difference between Best Picture andeverywhere everything at once” and “tar” In a tie.

Surprisingly enough, the tie was not shocking. LAFCA else he has done it four times. The first year of 1975 was Dog Day Afternoon and One Flew Over the Cuckoo’s Nest. 1976, in “Network” and “Rocky”. And in 2013, in “She” and “Gravity.”

The organization probably has a more synchronized record of final Best Picture winners at the Oscars than perhaps some New York awards organizations. That said, recent examples of their Best Picture winners alongside AMPAS include 2019’s. parasite, 2016 moonlight, 2015 Spotlight, 2009 heart locker.

“Brazil”, provided by Universal

One thing about LAFCA, though — they’re not afraid to go rogue: IE 1985, anointed with Terry Gilliam’s carnival-esque, trippy epic Brazil Best Picture and Best Director. The filmmakers went to war with Universal over their films to make fresh meat for the trade. Brazil It was nominated for an Oscar for art direction and original screenplay.

Another example where LAFCA voted against Best Picture was the 2003 film. american splendoris a comedy biographical film about the five-film collection of cartoonists Harvey Peker and Steve McQueen. small axe, It didn’t even make it to the Oscars in 2020.that photo will be demoted Nomadland It was the ultimate Best Picture at the Oscars.

Last year, LAFCA awarded Ryusuke Hamaguchi’s Best Picture Award. please drive my car It was in the Oscar Mix with four Oscar nominations, including Best Picture and Best Director, and won Best International Feature Film.

It’s no wonder film director Todd Field is returning to the big screen after 16 years. tar, Grow big today. LAFCA named his movie in the bedroom Best Picture Award 2001. tar It won Best Picture from the New York Film Critics Circle, Best Actress for Cate Blanchett, and one of AFI’s Top Pictures of the Year.

In this year’s awards voting, LAFCA will also introduce a gender-neutral acting category, announcing two Best Lead Performance and two Best Supporting Performance awards.

best image:

Winner: EVERYTHING EVERYWHERE ALL AT ONCE and TAR (tie)

Best Director:

Winner: Todd Field, TAR

Runner-up: SS Rajamouli


best lead performance:

winner: Cate Blanchett (TAR) and Bill Nighy (LIVING)

runner up: Daniel Deadweiler, Till, Michelle Yeoh, Everything Everywhere All At Once

Best Supporting Actor Award:

winner: Dolly De Leon, Triangle of Sadness, Ke Huy Quan, EVERYTHING EVERYWHERE ALL AT ONCE

Runner-up: Jessie Buckley, WOMEN TALKING, Brian Tyree Henry, CAUSEWAY

best documentary:

winner: all beauty and blood

runner up: fire of love

Screenplay Award:

winner: Todd Field of the TAR

runner up: Martin McDonagh of THE BANSHEES OF INISHERIN

best animation:

winner: Pinocchio by Guillermo del Toro

runner up: Marcel the Shell in shoes

Editing Award:

winner: Winner: AFTERSUN’s Blair McLendon

runner up: Monica Willie from TAR

best production design:

winner: Dylan Cole, Ben Proctor, AVATAR: THE WAY OF WATER

runner up: EVERYTHING EVERYWHERE ALL AT ONCE by Jason Kisvarday

best music/score:

winner: MM Keeravani, RRR

runner up: Pawel Mykietyn, EO

Cinematography Award:

winner: Michael Dimec, EO

runner up: Runner-up: Hoyte van Hoytema, NOPE

Douglas Edwards Experimental Film Award:

winner: DE HUMANI CORPORIS FABRICA

best non english movies:

winner: EO

runner up: San Omer

New generation:

winner: Davy Chou and Park Jimin return to Seoul




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